Ο Κολοσσός της Ρόδου δεν είναι μόνο ένα από τα επτά θαύματα του αρχαίου κόσμου, ούτε μόνο ένα άγαλμα που απεικόνιζε τον Ήλιο. Ο Κολοσσός της Ρόδου δεν είναι μόνο το έργο του Χάρη του Λίνδιου, μαθητή του Λύσιππου, ούτε μόνο το σύμβολο του προστάτη της στην πολιορκία. Ο Κολοσσός της Ρόδου δεν αντανακλά μόνο το φως του ήλιου με την μπρούντζινη επιδερμίδα του, ούτε αντιπροσωπεύει μια απλή ανθρώπινη μορφή. Ο Κολοσσός της Ρόδου έχει όλες αυτές τις ιδιότητες, αλλά ταυτόχρονα είναι ένα αναγνωρισμένο σύμβολο, διαχρονικό, από όλη την Ανθρωπότητα. Είναι ένα άγαλμα ελευθερίας πριν καν γεννηθεί αυτή η ιδέα στο μυαλό του Γάλλου γλύπτη Bartholdi. Είναι ένα σύμβολο που δείχνει ότι η ελευθερία προέρχεται από την αντίσταση και αυτή από τη γνώση, γιατί οι Ρόδιοι κράτησαν τη θέση τους δίχως να υποκύψουν στην πολιορκία μέσω των τειχών της πόλης. Αυτό το σύμβολο δεν είναι μόνο σύμβολο ειρήνης αλλά και ανθρώπινης αξιοπρέπειας. Επισημαίνει την αξία της γνώσης, της αντίστασης, της ελευθερίας. Με άλλα λόγια αντιπροσωπεύει μια μορφή Homo Universalis που αποτελεί Humanitatis Opus, δηλαδή έργο της Ανθρωπότητας που με την καινοτομία και την αισθητική του κατάφερε να αποκαλεστεί θαύμα αφού κανείς άλλος δεν είχε καταφέρει αυτό το επίτευγμα που υλοποιεί αυτήν την υπέρβαση. Αυτό είναι για μας, ο Κολοσσός της Ρόδου, ένα δώρο του Ελληνισμού στην Ανθρωπότητα. (En) (Es) (Bg) (De)
Τhe Recreation of the Ancient Wonder of the Colossus of Rhodes. (Innovative Experiences through Mega Attractions). Speech
THE TOURISM OF THE FUTURE
Throughout the years of human history our economic society has shifted from the agricultural era, to the industrial era and after that to the information age. As our society is changing, we are entering the “dream society” era where emotions and fantasies prevail (Figure1). Therefore, a modern and proactive tourism system should aim at the development of new tourism products and services in the form of consumable experiences. To do so, it is necessary to structure a stimulating tourism environment where the visitor feels involved and directly participates with true and inspiring emotions. Increasingly important is to change the type and attitude of tourism professionals and human resources personnel who should learn how to involve customers by creating and narrating exciting legends and stories (SETE, 2004, Jensen, 2001).
Moving from Products and Services to Experiences
Customers are no longer happy with the products and destinations they visit. There is a growing mismatch between products offered by destinations and the needs and demands of the increasingly experienced travelers. The “products” that destinations have to offer are not just the physical products such as hotels, restaurants and attractions, but very importantly, the experiences and the innovative services that are important in delivering exceptional experiences for visitors. This is critically important because tourism economic value is increasingly being created through the staging and orchestrating of experiences that are relevant to the needs of the customers rather than extracting commodities, making goods or even delivering services (Poon, 2003, Poon, 2005).
“Destinations will need to reinvent themselves in order to be competitive and grow their industry in the future. Destinations need to move beyond offering products and services (hotels and attractions) to inventing, orchestrating and delivering exceptional experiences to their clients that exceed their expectations” (Poon, 2003).
THE FUTURE OF RHODES AS A TOURISM DESTINATION
Living in an era of constant social, technological and economic change a series of frequent questions come to mind such as:
How tourism is going to look like in the future in Greece? How tourism is going to look like in Rhodes?
How Rhodes as a tourism destination can reinvent itself in order to become competitive in the future? What has to be done in this destination to keep up with future trends and boost significantly its momentum?
What mega action and subsequent events would lead Rhodes to enter successfully in the Dream Society and enable it to offer exceptional experiences to its visitors that exceed their expectations?
TRAVELING BACK TO THE FUTURE
Have you ever thought of traveling to the River of Euphrates to visit the Hanging Gardens of Babylon? Have you ever desired to see the Mausoleum of Halicarnassus? Have you ever wanted to visit ancient Greece to admire the Statue of Zeus at Olympia sculpted by Pheidias, the Temple of Artemis at Ephesus or the Colossus of Rhodes? The Lighthouse of Alexandria, the Pyramids of Giza or any other Wonder of the ancient world?
You may say: “You must be out of your mind. Only one of them exists today.” I will tell you “That’s the main part of the idea. How would you feel about attempting to restore and revive these myths, enabling the visitors of today to experience the deep historical mystery of those legendary ancient sites?”
Archaeological evidence reveals some of the mysteries that surrounded the history of the Wonders for centuries. At the time of their construction for their creators, the Seven Wonders were a celebration of religion mythology, arts and science. Human imagination urged poets, writers, and historians to seek "replacements" for the fallen monuments. These very elements are the core product attributes of the proposed idea. These essential ingredients will urge people all around the world to live the overall experience to its utmost.
THE EVOLUTION OF A WONDER
THE PROPOSED IDEA
“To re-create the legendary Wonder of the Colossus of Rhodes with the aim to tangibilize the unique intangible value of the mythical monument”.
You may ask “are you implying on recreating an exact replica of the Ancient Wonder of Colossus” I will reply “Of course not, such a thing would be rather anachronistic and sterile nowadays because it would deprive many of the ever lasting attributes of the Wonder, the mystery, the artistic and the mythological values and most importantly it could hardly become a technological feat of the 21st century. We should not forget that all wonders attribute their grandeur and outstanding value because they were representing exceptional achievements at the time they were built given the resources, the scientific know- how and the technological materials available.
It would be rather damaging for the myth, if not suicidal, to create a replica of a non-existent wonder. It is like attempting to replace the missing parts of the Parthenon of Athens. On the contrary, I suggest it should have neither archaeological implications nor intentions for pure imitation. We should only retain the symbolical value of the Wonder and attempt to become a successful continuation of it, enriched with a current, diachronic and perpetual ideological content”.
Our vision is to create a contemporary (21st century) wonder inspired by the Colossus the ancient wonder. It should be an evolutionary and a modern successor of it, borrowing the unique attributes, the symbolic characteristics and the artistic values of Colossus attempting to become a feat of our century. It should become a symbol of Greek civilization and should be enriched with a current, diachronic idealistic content.
“Just like the Colossus was erected as a tribute to the Sun God of Helios to celebrate freedom and peace, its successor standing at the crossroads of three continents, it should become Rhodes’ and Greece’s contribution to the world emitting eternal light and symbolizing ecumenical world peace, to send messages of hope and optimism for the future generations to come. “
HISTORIC EVIDENCE OF COLOSSUS
According to historic records, the construction of the Colossus of Rhodes started in 304 B.C. and was completed twelve years later in 292 B.C. It was designed by the outstanding sculptor of that time Chares of Lindos and was 31 meters tall. It was built as a tribute to the Sun God Helios, or Apollo, protector of the city of Rhodes to celebrate freedom and unity after the failure of Demetrius Poliorkitis to conquer the island. It was made out of copper and bronze supplied from the war machines, which were abandoned at the outskirts of the city. It fell during an earthquake in 227 B.C. but it was left at that location for many centuries. In the seventh century, according to Byzantine sources, its pieces were transferred to Asia by Arabs and were sold as scrap metal (Mastrapas, 1993).
The Colossus, which literally means something gigantic, often has been depicted by artists and historians as towering over the historic port of Rhodes and as holding up a torch of peace – much like the Statue of Liberty in New York harbor. Though adequate scientific proof of this is lacking, the same historic accounts say that it was visible to approaching ships from miles around. Historical descriptions praise the legendary statue but left its exact form and location an archaeological mystery. It inspired though numerous artists to provide drawings according to their imagination (Mastrapas, 1993).
“To you, O Sun, the people of Dorian Rhodes set up this bronze statue reaching to Olympus when they had pacified the waves of war and crowned their city with the spoils taken from the enemy. Not only over the seas but also on land did they kindle the lovely torch of freedom”. (Dedicatory inscription of the Colossus)
SUGGESTED METHOD OF IMPLEMENTATION
SEARCH OF LOCATION
In search of location there are various sites where this new wonder could be located. Possible sites could be: The Mandraki Harbor, close to the Aquarium, near the Old Town, the Yachting Marina or even on an artificial island.
All locations have pros and cons that should be carefully examined on the basis of three criteria:
a) To secure maximum visibility suited for a grand scale landmark. To be visible from air and sea and diffuse its light to all points of the horizon.
b) To secure ease of access and ability for guests to visit it without major problems in transportation.
c) To avoid obstacles of accessibility to the port or the airport of Rhodes.
In order for the “new Colossus” to capture the essence of a 21st century wonder, three fundamental elements must be secured: aesthetic perfection, artistic excellence and transcendence of conventional standards leading to a technological feat of unanimous recognition and worldwide acceptance. Therefore, the final form of the artistic expression of the new wonder should become the outcome of a worldwide competition, within which, the various images and pictures created in people’s imagination deriving from the myth of Colossus will take the form of tangible propositions.
Within this context, the International Competition should be announced calling for artists, architects, and designers’ houses worldwide to participate in the project and offer their invaluable proposals. The challenge here will be that they will have to be inspired from the legendary symbolical attributes of the ancient Colossus and offer an artistic evolution of it, in accordance with the contemporary vision and the ideological content of the new wonder. They will have to present unconventional methods or materials or technical construction, providing at the same time aesthetic perfection and artistic harmony with the historical environment and cultural heritage of Rhodes.
HONORARY SELECTION COMMITTEE
To secure transparency of procedures, a highly reputable Honorary Committee should be formed consisting of renowned personalities and distinguished celebrities from the fields of the arts, literature, politics and technology under the aegis of the President of the Hellenic Republic to judge the most prominent proposal and offer a highly generous and honorary prize to the first three qualified contestants.
The most eminent proposal should express the epitome of the project’s salient attributes and characteristics carrying at the same time the symbolical values of the historical past and extending them to the future in a diachronic, eternal and universal way.
CONSTRUCTION OF THE WONDER- ATTRACTING FUNDS AND RESOURCES
On the basis of the chosen proposal the timetable and budget for its realization will be determined. Even though it is very difficult to budget a priori such a project, it is estimated that a large number of the required funds can be attracted through a grand scale international Fund Raising campaign targeting at:
a) Foundations (Greek and International)
b) Donations (Major Hellenic institutions, Corporations, Arts and Cultural organizations etc)
c) Subsidies (Greek Government, EU, UNESCO)
d) Communities Support (Greece and abroad)
e) Individual collections (Greek citizens, Greeks of Diaspora, Philhellenists etc).
The communication strategy should have as an aim to maximize the benefits of all potential publicity of this major undertaking attempting at the same time to attract all necessary funds for its realization through
• Creation an international media and Public Relations campaign to raise awareness and interest worldwide.
• Mobilization of Greek and international celebrities (politicians, artists, intellectuals, actors etc) to offer their support in various ways.
• Planning and creation of events to accompany various stages of the implementation of the project.
FUTURE REVENUES -AVOIDING COMMERCIALIZATION
Apart from donations future proceeds can be mainly accrued from visitors tickets. Additional revenues can be derived from selling merchandising items (books, albums, gifts, and so on) as well as other future commercial possibilities (CDs, DVDs etc) given that copyrights have been legally protected.
The commercial utilization of the attraction sight and its future proceeds should be returned for its constant maintenance and reinvested for its continuous development in related to the Greek history and Rhodian cultural heritage areas. Such an area must be the creation of a Theme Museum employing guest interaction operation and virtual reality applications that would further enhance the experiences of the visitors.
COMPETITIVE ADVANTAGES OF THE SUGGESTED PROJECT
• Secures enormous and invaluable publicity for Rhodes Island and Greece that cannot be assessed in monetary terms.
• Reestablishes in the most dynamic way Rhodes and Greece (after the Athens Olympic Games) in the world tourism map.
• Creates increasingly high demand for the destination, opens new horizons and paves the way for new tourism evolutions.
• Yields significant gains for the destination and skyrockets its momentum.
• Achieves through sources of sponsorships, donations and subsidies its self financing.
• Its colossal historical nature, challenges and stimulates the most distinguished Artists around the world to participate, securing the eminence and prestige that such a landmark deserves.
• Contributes significantly to the higher recognition of our national treasures and cultural heritage, converting our egocentric introverted mentality to cultural extraversion.
• Strengthens the feeling of national pride and makes us equal successors of our ancient predecessors.
I am fully aware, that it takes infinite courage, boldness and valor to attain this noble achievement. After all, it represents a moral duty to historical Rhodes, an ethical debt to mythical Greece and an honorary obligation to humanity to offer a memorable Feat of such scale. Much like the Olympic Games, it is something so Hellenic that the whole country has to benefit and at the same time so ecumenical that the whole world will gain.
MSc, MBA, DESS, (IMHI CORNELL-ESSEC)
Head of the Project of the Municipality of Rhodes
Member of Tourism Research Body of the Chamber of Dodecanese
It is worth noting that this speech was based on previous proposals and speeches submitted:
1. At the Municipal Council of Rhodes during the mayorship of George Giannopoulos, in July 1999, as a Millennium Project (and as part of the cultural proposal of the island and the country during the Olympic Games of 2004), with a monument inspired by the Colossus to symbolize the ideals of world peace and friendship among all people of the universe. It was voted unanimously by its members, but unfortunately was undermined by the state.
2. At ALBA (Athens Graduate Business School). Presentation on Creativity & Innovation (SHRM), in year 2004.
3. At the1st International Tourism Forum of the Scientific Committee of Tourism of the Chamber of Dodecanese "Trends and Innovation in Tourism Industry » in March 2005, with the title "Innovative Experiences through Mega attractions”.
4. At the 3d Development Conference of the Dodecanese Prefecture in May 2005“Growth & Change in Management of Tourism Destinations : “The case of the revival of the Ancient Wonder of the Colossus of Rhodes “